Journeying Toward Wholeness

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Sarah Palin, “Mama Grizzlies” and the Mother Archetype

August 15th, 2010 · archetypal experience, archetypes, Carl Jung, collective consciousness, depth psychology, mother archetype, parent-child interactions, popular culture, Psychology, Psychology and Suburban Life, Psychotherapy, symbolism, unconscious

Andrea Huffington commented recently  in the Huffington Post on Sarah Palin’s use of archetypal imageryin the political ads that she has recently run with incredible success online.  Huffington seeks to use the concepts of Jungian psychology to analyze Palin’s message.  In my opinion, it’s a fruitful approach.

The ads are remarkable for the fact that they do not discuss the political issues at all, presumably leaving it to the viewer to draw his or her conclusion about what the issues are that are under discussion.  What they in fact do is evoke the symbolism of the bear, and in particular the mother grizzly bear.  Palin at one point says,

“I always think of the mama grizzly bears that rise up on their hind legs when somebody is coming to attack their cubs… you don’t wanna mess with the mama grizzlies!”

Huffington believes that Palin has unconsciously used images that are archetypal, and that, because of that, these images resonate with people powerfully on the unconscious level.  Certainly, “mother” is a powerful archetype, as is the symbol of the bear, which has possessed great meaning in human cultures throughout the world.  While Palin may have unconsciously hit upon this approach, historians can point to similar highly manipulative tactics used by propagandists throughout history.  Of course, the past masters of this kind of thing were the Naziis, particularly Hitler’s propanganda genius Joseph Goebbels and Adolf Hitler himself.

Palin tells us, “Moms just kind of know when something’s wrong.”  Perhaps.  But it is important to distinguish between two very different aspects of the mother archetype, and how they might affect us.

Like all archetypes, the mother archetype has a negative and a positive pole.  That is, there are manifestations of the archetype that foster human growth and individuation, and there are manifestations that hinder or hobble such development.

The archetype can manifest as “positive mother”.  This happens, for instance, when a mother gives messages to her child that are affirming, and that give a sense of fundamental rightness to the child’s existence.  A child growing up with this kind of message and support from the mother may very well grow to have a lot of confidence in themselves, and in life.

At the other end of the spectrum is the negative mother, including “smother mother”.  This is the mother who undercuts the child fundamentally, and destroys the child’s confidence in what he or she is, his or her own powers, and in the goodness of life.

So this leaves us with the question of what kind of mother it is that Palin is evoking with her “Mama Grizzly” images.  Is this mother life-giving and empowering, or fundamentally undercutting, disempowering, and perhaps smothering?  Is Palin’s “mama grizzly” a mother who affirms individuality and uniqueness, or a mother trapped in standardized, stereotypical and ultimately mother roles?  What’s your view?

The archetype of the mother is indeed powerful, and I hope to explore the nature of positive and negative mother archetypes in future posts.

Wishing you every good thing on your personal journey to wholeness,

Brian Collinson, Psychotherapist & Jungian Analyst

PHOTO CREDIT: © Johnbell | Dreamstime.com

© 2010 Brian Collinson

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Anxiety Behind the Mask, Part III: Heart Trouble

July 11th, 2010 · Carl Jung, collective consciousness, collective unconscious, Current Affairs, depth psychology, Identity, Individuation, inner life, Jungian psychology, Lifestyle, Meaning, persona, popular culture, Psychology, Psychology and Suburban Life, soul, symbolism, unconscious, wholeness

 

Anxiety Behind the Mask, Part III, Heart Trouble

…I asked him why he thought the whites were all mad. 

“They say that they think with their heads,” he replied.

“Why of course.  What do you think with?” I asked him in surprise.

We think here,” he said, indicating his heart. [Italics mine]

Conversation between Ochway Biano, Chief of the Pueblo Indians and Carl Jung, recorded in  CG Jung, Memories, Dreams and Reflections  (1961)

Everything has been “figured out”, except how to live.

Jean-Paul Sartre

 In Part I  and Part II of this series “Anxiety Behind the Mask”, I’ve been exploring the symbollic meaning of the pop cultural figure of Iron Man.  He is certainly a symbol for the relationship in our culture between the social mask and the inner human, and for the yearning that the social mask be smooth and impenetrable.   However, there is great psychological danger in complete identification with such an impervious persona: it can become a trap, become robotic, with no way left for the inner person to “get beyond the mask”.

One of the elements from the story of the origin of Iron Man is that Tony Stark, who becomes Iron Man, has heart trouble.  As the first Iron Man movie shows, he is injured in the process of his capture, and has to be fitted with a special magnetic device to keep shrapnel from ripping apart his heart.

There is of course a tremendous importance to the symbolism of the heart.  It is the seat of the feelings and of passion.  It is also the particular organ associated with eros, which includes but is more than the power of sexual love.  Eros is also the human capacity to connect and relate.  The place where our yearnings are located.  The place where hope and despair alike find their home.

Tony Stark is portrayed as a technical genius, someone who can create the most incredible machines.  As a hero figure, he symbolizes the incredible technical prowee of our culture.  This kind of technical knowledge exemplifies the tremendous power of rational thinking — what Jung identified as the principle of logos.  It is characterized by the ability to organize, quantify, discriminate, classify, and strategize.  But logos is always pulling things apart, using conceptual power to break things down into their component parts, and make them less than they are.  Our ability to do this as a species is a great strength, and has contributed mightily to the survival and success of our species.  It is a cornerstone of western civilization, and we all glory in our scientific and technical acheivements.

However, this scientific and technical prowess can leave us completely isolated and alienated from our world, nature, and other people.  And above all, it can leave us cut off from our inner selves, from our true ability to feel things, and to relate to others and to our world.

Like Tony Stark, the Iron Man, who is a symbol produced by our culture’s collective consciousness, it is all too easy for those of us who live in our culture to have “heart trouble”, to have lost touch with our ability to feel, to empathize, to relate.  But, as Leonard Cohen seeks to remind us, the truth of the heart is never really lost.  It is always there waiting for us, even when we seem to be in exile from ourselves, even when the world seems to say, “this heart, it is not yours”.

Four Questions about the Heart

Here are some questions that may help the conversation with your own heart.

Are there any feelings that you would find hard to share with the people closest to you? 
What are the three most painful experiences in your life?
 
 
 
What are the three most joyous experiences in your life?
 
 
 
 
What is it that you really yearn for?
 
 

What about your own heart?  It’s only by staying close to it that one can begin to be close to the spontaneity and aliveness that is one’s own real life.  Often, the course of analysis, therapy or counselling is following the road back to the deepest parts of the heart.

I’d welcome your reflections on the “heart trouble” of Iron Man and the ways in which it reflects our own struggles with our hearts, as individuals and as a culture.

My very best wishes to each of you as you make your individual journeys of wholeness and self-discovery,

Brian Collinson, Psychotherapist & Jungian Analyst

PHOTO CREDITS: © Marvel Entertainment, LLC  These images are the property of Marvel comics and are used here in the fair use context of critical discussion.

VIDEO CREDIT: “By the Rivers Dark” by Leonard Cohen, from the album Ten New Songs ©  2001 Sony Music Entertainment Inc.  This music is the property of Sony Music Entertainment and is used here in the fair use context of critical discussion.

© 2010 Brian Collinson

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